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Gallery & Market Intelligence

Tier M5 · Exclusive to Provenio

Representation Timeline

See every gallery move, in order, since the artist’s first representation. Provenio captures period_start, period_end, exclusivity, and source refs for every artist-gallery edge in the KG — not just the current snapshot.

“Artsy lists current galleries. Provenio shows the sequence. And the sequence is what tells you when a market broke.”

MCP Tool

get_representation_timeline(artist_id, include_former?)

Returns the full ordered set of gallery relationships for any artist — period_start, period_end (null = ongoing), exclusivity (exclusive / shared / former / deceased_estate), and source_refs (verification trail). Designed for diligence workflows, not roster lookups.

Three Verified Timelines

Real KG data — verified against gallery websites, fair exhibitor lists, and press archives. Hover any bar to see verification notes.

El Anatsui

Ghanaian / Nigerian · Pattern A · Institutional Escalation

Four galleries spanning three continents, never an exclusive until 2020. The 27-year gap between first international gallery (October, 1993) and mega-gallery exclusive (Zwirner, 2020) is itself a market signal.

SharedExclusive
  • October Gallery

    Shared

    GB

    1993 — present (33+ yrs)

    First international gallery. London-based, Africa-focused. Anatsui's longest-standing relationship — 30+ years and ongoing.

  • Goodman Gallery

    Shared

    ZA

    2005 — present (21+ yrs)

    African continental anchor. Bridged Anatsui's mid-career institutional shows (Documenta 1992, Venice Pavilion 2007).

  • Lisson Gallery

    Shared

    GB

    2008 — present (18+ yrs)

    European market expansion. Coincided with first six-figure secondary auction lots and Sterling Award (2008).

  • David Zwirner

    Exclusive

    US

    2020 — present (6+ yrs)

    Mega-gallery exclusive for North America announced June 2020. Marked the consolidation phase — prices doubled within 18 months.

Yayoi Kusama

Japanese · Pattern A → C · Escalation + Movement Anchor

Four shared galleries forming a global rep-quad: Tokyo (Ota) → London (Victoria Miro) → New York / global (Zwirner) → Asia-Pacific (Perrotin). No single gallery dominates — coordinated rather than consolidated.

Shared
  • Ota Fine Arts

    Shared

    JP

    1994 — present (32+ yrs)

    Tokyo (later Singapore + Shanghai). Kusama's first dedicated commercial representation after returning from New York to Japan in 1973.

  • Victoria Miro

    Shared

    GB

    1998 — present (28+ yrs)

    London — single most consistent European representation. 35-year retrospective in 2023.

  • David Zwirner

    Shared

    US

    2013 — present (13+ yrs)

    New York / London / Paris / Hong Kong. Triggered the global museum-tour era (Infinity Mirrors, 2017–2019).

  • Perrotin

    Shared

    FR

    2019 — present (7+ yrs)

    Paris / Tokyo / New York / Seoul / Hong Kong. Asia-Pacific retail amplification phase.

Park Seo-bo

Korean · Pattern D → E · Late Discovery + Estate Transition

Three decades of single-gallery (Hyundai) Korean representation. International expansion came only after the 2014–2015 Dansaekhwa rediscovery. Estate handover in 2023 marks a fundamentally different market phase.

FormerSharedEstate
  • Gallery Hyundai

    Former

    KR

    1991 – 2023 (32 yrs)

    Earliest Korean gallery relationship — anchored Park's domestic Dansaekhwa positioning for three decades. Transitioned post-2023.

  • Kukje Gallery

    Shared

    KR

    2007 — present (19+ yrs)

    Seoul + Busan. Co-led the international Dansaekhwa wave (Venice 2015 collateral, Frieze Seoul anchor 2022+).

  • White Cube

    Shared

    GB

    2016 — present (10+ yrs)

    London / Hong Kong / New York. Marked the international mega-gallery escalation that followed the 2014–2015 Dansaekhwa rediscovery.

  • Park Seo-Bo Foundation

    Estate

    KR

    2023 — present (3+ yrs)

    Estate transition after Park's death (Oct 2023). Foundation now coordinates global authentication and posthumous exhibitions.

Three Workflows

Each surface area is a workflow gallery directors, art advisors, and estate counsel run weekly — and each is impossible without the timeline.

01Career escalation timing

When did the artist move from boutique to major to mega-gallery? The dates are the diligence — pre-acquisition pricing depends on whether you’re early or late in the escalation arc.

02Shared-representation patterns

Multi-gallery shared rosters (Kusama, Anatsui until 2020) signal coordinated international strategy. Single-gallery exclusives signal consolidation. The pattern predicts price elasticity.

03Estate transitions

Post-mortem representation (Park Seo-bo Foundation, Basquiat estate) operates under different rules — supply control, authentication authority, and museum-loan strategy all shift on day one.

Competitive Moat

Why this isn’t in Artsy, MutualArt, or Artnet

Artsy

Has: Current gallery roster (snapshot)

Missing: No period_start, no period_end, no historical sequence.

MutualArt

Has: Auction prices + exhibition history

Missing: Gallery relationships not modeled as time-bounded edges.

Artnet

Has: Auction database + price database

Missing: Gallery roster is editorial, not structured KG data.

The shape of the data matters. Provenio models gallery representation as a temporal edge with exclusivity status — everything downstream (escalation analysis, peer benchmarking, estate planning) becomes a single MCP call.

Get the timeline for any artist in the KG

Available to all Provenio MCP subscribers. Free tier covers 3 timelines/month — Solo and Studio unlock higher limits, with Studio adding unlimited queries plus Foundation-style estate alerts.