third french republicconcept:era modern
Dynamic Hieroglyphic of the Bal Tabarin
Large oil with sequins by Gino Severini (1912). A dizzying simultaneous depiction of the Parisian cabaret Bal Tabarin, combining Cubist faceting with Futurist movement and the glittering frenzy of popular entertainment. Applied sequins reflect actual light. MoMA, New York.
Scholarly Significance
Futurism-Cubism synthesis; Severini's cabaret subject shows the Paris connection of Italian Futurism.
Notes
- ·The Bal Tabarin was a famous Parisian cabaret at 36 rue Victor-Massé, Montmartre.
- ·Exhibited at the major Futurist exhibitions of 1912–1913 in Paris, London, Berlin, and Brussels.
- ·The applied real sequins are unique — they make the painting physically glitter under gallery light, enacting the cabaret shimmer.
- ·Word fragments include 'VALSE', 'POLKA', and 'BOWLING' — borrowing Cubist collage typography.
- ·The painting's energy and scale are unmatched in the Futurist corpus; it exceeds even Boccioni in formal complexity.