Genji Monogatari Emaki (The Tale of Genji Illustrated Scrolls)
Oldest surviving illustrated handscroll (emaki) of The Tale of Genji, produced at the Japanese imperial court c. 1120-1140 CE. Considered the founding masterwork of the Yamato-e painting tradition. Depicts scenes from Murasaki Shikibu's 11th-century novel of Heian court life using fukinuki yatai (blown-off-roof) perspective and hikime kagibana (slit-eye, hook-nose) stylized facial rendering. National Treasure of Japan; primary holdings at the Tokugawa Art Museum, Nagoya (three volumes) and the Gotoh Museum, Tokyo (one volume). Only about 15% of the original scroll survives.
Scholarly Significance
Diversity expansion: cover Heian-period Japanese medieval painting, the Yamato-e tradition, illustrated scroll format, and a non-male literary-cultural context absent from the graph.
Notes
- ·The illustrated scrolls depict scenes from Murasaki Shikibu's novel Genji Monogatari (c. 1008 CE), produced approximately one century after the novel's composition.
- ·Original scale: approximately 450 feet long, 20 rolls, over 100 paintings, over 300 sheets of calligraphy. Surviving fragments represent approximately 15% of the original.
- ·Attribution: previously attributed to Fujiwara no Takayoshi (a known 12th-century court painter). Current scholarship (post-20th century) treats this attribution as unsupported; both visual artists and calligraphers remain unknown, with multiple hands evident.
- ·Two distinctive pictorial techniques: fukinuki yatai (bird's-eye interior view with roof removed) and hikime kagibana (slit-eye hook-nose stylized faces).
- ·Classified as onna-e (feminine painting style) as opposed to otoko-e (battle/masculine style).
- ·National Treasure status granted to both the Tokugawa Art Museum group and the Gotoh Museum group.
- ·For conservation, the original scrolls are exhibited publicly for approximately one week per year (typically November, Tokugawa Art Museum).
- ·The scrolls preserve the oldest known text of the Genji Monogatari as a secondary function of the calligraphic sections.
- ·Paintings were remounted as handscrolls during 2016-2020 after conservation study; previously mounted as individual framed sheets since 1932.